Mollycastle
Active member
Yep. It's a lot of point 1 & 2 I'd bet. I haven't seen him in Hamilton but he was absolutely fantastic in Waitress and in Chicago. I do think the Tattle bubble is a big issue when it comes to overthinking how the musical theatre industry works. Yes, Joel ranting in costume isn't great. But ultimately the audience for that and proportion of people who give a tit is so small compared to the proportion of people who want to see Hamilton and don't actually care about the people behind the roles. It's such a commercial machine now that even non-theatre people will see it. It's not like the more cult theatre shows that are smaller / less known / rely much more heavily on reputation in more nuanced ways.There can be various reasons.
* many reports say he is actually quite good in the role (not a surprise, it's a variation of him)
* it's easy to forget that tattle is a bit of a bubble, and to vast majority of audiences won't know or care what he is like and his outbursts have only reached a very tiny corner of the internet
* they may have struggled to find a replacement or who they wanted wasn't available. Sometimes it's not because the person in the role is necessarily wanted more.
Obv I still think he's a prick in many regards. But I sadly can't fault him as a performer.