I think the problem is the pros don't know what they're doing with contemporary either so it's really formulaic and kind of cynical. Always starts or ends back to back, always has the pulling and pushing away move, rolling the neck with hands at the head to symbolise turmoil, bit of rolling about on the floor like you have gas, some sort of big lift and a twin leap like spawning salmon. You can pretty much predict the routine before it even starts.
Theatre/jazz on the other hand is fine as it's just something anybody with general dance training has done or can pick up if they're a celeb.