This is where we've gone wrong before, putting forward famous acts and thinking that's enough to win. It isn't. It's more about developing a following in Europe and on social media. As well as a decent song that's written and developed with the competition in mind.
Tbf, if he’s willing to do that and has a decent song it may be fine. I’m not sure how good he is with live vocals these days though?This is where we've gone wrong before, putting forward famous acts and thinking that's enough to win. It isn't. It's more about developing a following in Europe and on social media. As well as a decent song that's written and developed with the competition in mind.
He wouldn't be a good representative like Sam was. He's just past it for me is Robbie.I don't want Robbie, not a fan, too cocky
Yep, I used to like him in the 90s but his day is gone. Blue 2011 vibes. Let's see some new talent at Eurovision.He wouldn't be a good representative like Sam was. He's just past it for me is Robbie.
I worry a little that if the act next year does badly, or does ok but not amazing (e.g. 12th), people will turn on Eurovision again. The public and media must accept that for us to be part of the Eurovision spirit, we must accept a few good and bad years and not turn on the performer or the BBC if they do bad or average (provided the BBC genuinely tries to make an effort).Tbf, if he’s willing to do that and has a decent song it may be fine. I’m not sure how good he is with live vocals these days though?
I do fear that the public will expect to get top 5 or win and that does set expectations very high for whoever gets picked though
exactly, I would rather see some new/lesser known act given the platform and possibility rather than just someone who is well establishedYep, I used to like him in the 90s but his day is gone. Blue 2011 vibes. Let's see some new talent at Eurovision.
I worry a little that if the act next year does badly, or does ok but not amazing (e.g. 12th), people will turn on Eurovision again. The public and media must accept that for us to be part of the Eurovision spirit, we must accept a few good and bad years and not turn on the performer or the BBC if they do bad or average (provided the BBC genuinely tries to make an effort).
What's not acceptable is a long run of bad years like we had before Sam Ryder, it indicated that the strategy had failed (Ireland for example is on a bad run, and it's the fault of RTE who deserve criticism). Brooke was a lovely person, got into the spirit and did her absolute best but the song just wasn't good enough. The RTE national final was absolutely awful.
Would Robbie have put his name out there if Dam hadn't been a success...? Doubt it
didn't even notice, but either way your avatar goes perfectly with this commentDam?!
Obviously meant Sam
The Live On Tape versions have been released (you know, the 'in case you get covid' back ups)
Citi Zeni's lead singer nearly falls off the treadmill 29 seconds in
Clip of interview in April that mentions it:
I am not a man but that looked like it would have bee painfulthe split at the end ??? okay sir
I imagine that will be the case, unfortunately it looks unlikely the Ukraine would be able to, unless they host in another country but stll act as hosts? could that be done?Keep hearing that as runners up that if Ukraine can't host next year, the UK will
get to host.
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